**WARNING: Spoilers are ahead**

If there's one thing Pixar is great at it's storytelling. They are MASTERS at this. There's a reason the Toy Story franchise is one of the, if not the, highest rated trilogies in Hollywood history--the storytelling is phenomenal. It has stuff in it that both adults and children will enjoy. This is one of those movies that an entire family ranging from 5-500 can enjoy (yes, I said 500). This was a movie i've been looking forward to for a very long time. It's also one of the few I wanted to see at it's midnight release. This was a movie that could survive on it's own, even though it's the last of a trilogy. The humor and plot in this is way beyond a normal kids movie, which is something Pixar is known for.
The plot itself isn't complex, but the way the story is told makes you root for these animated, fictional toys to the end. This is probably the ONLY movie I've seen where I've had a real emotional attachment.....DAMN YOU PIXAR! Why do you make a movie where I feel like if the toys die than part of me will as well? Why do you make a movie where even though I know it's a kid’s movie I find it hard not to cry at the end? Why? When the toys were going down towards the fire I felt genuinely sad, but then when they were rescued I instantly laughed. How can a movie make you do a complete 180 in your emotions? How can it make you wanna cry (or, for many, actually cry) in the end when the owner plays with his toys for the last time before donating them to a child, almost another form of "passing the torch" ...even the ones he treasures the most? It's because the masterminds at Pixar have done what others in Hollywood are slow to get good at--telling stories that engage the audience in the most extraordinary of ways.
There's not really a whole lot more to be said about the movie than this. Quite simply put, this is a great movie.... not just a great kids movie, a great movie. It had drama, suspense, humor, and most importantly heart. This movie makes you wonder why all films can't be told like this--why can't leave a theater feeling like you do after watching this one.
If there's one movie you absolutely need to see, it's this one.

From the get-go Hans Zimmer's music brought me in. Inception is a phenomenal piece of filmmaking. It takes us into a world where dreams do seem real. Christopher Nolan does an amazing job at two things he does well, making things look like they're real and tell a great story. The special effects aren't incredibly overdone for something that's supposed to take place in a world where anything is possible. It could've been a clusterfuck of CGI, but Nolan's better than that--even stating he'll never do 3D movie (THANK GOD, SOMEONE ANTI-3D IN HOLLYWOOD!). It was beautifully shot, as has been his other projects. Whoever he has doing the lighting, set design, anything--I know it's the same people, because he's loyal--always does an amazing job. The environments they create look so real in their design, lighting and photography that it's hard to imagine it's in a film-let alone a dream.
The story itself is great. One downside may be that everything is explained--or not explained, such as how they can share dreams, which I don't recall being explained--in such a way that if you miss it you may be lost. It's a complex story that keeps the audience thinking, but entertained throughout. It seems weird to call it a heist film, but it is that in many ways. It's also a drama-thriller with some slight comedy thrown in. It's proof that a summer blockbuster can still be smart, not just some CGI crapfest with animals doing odd things. The characters do a good job at providing enough action, comedy and drama to keep you entertained. Leonardo DiCaprio has been steadily becoming one of my favorite actors. He's been in great stuff lately, stuff that's entertaining and not just some crap movie to get money like some people (I'm looking at you Eddie Murphy, "The Rock", Vin Diesel, ...).
He plays a great character that is very tortured on the inside, and this is tricky because he tries to show his team that he's not. An actor has to portray this weird feeling on screen convincingly because the audience knows of the tortured soul inside, meaning that he needs to convince even those who know that he's got something to hide.....and DiCaprio's performance in this movie (as well as in Shutter Island--another great movie) leads me to believe that he'll be around for a long time. As for the other characters, they all did great. I think the casting in this movie was perfect—the actors portrayed their character great. They draw you in, get your attention and refuse to let you go on a journey that twists through the very fabric of reality. In the end, that's an actor's job....but everyone pulled this off great. But let's get back to the real star of this movie: the dreams.
They look real, feel real, act real. However, you need to pay very close attention........in the movie there's talk of dreams EVERYWHERE--there's even an instance where there's a dream with 5 levels. However, after viewing this movie I've come to the conclusion that everything within the movie is a dream. The ending is left ambiguous, leaving the audience to guess for themselves-but if paid close enough attention you can tell it is. The chase between Cobb & the men from the Cobol Corporation trying to kill him leave two pretty big clues.....one is the buildings he gets stuck between. This is a classic dream cliché--when anxiety rises, walls close in. After getting out he runs into Saito almost immediately. In a city of thousands in another country is this very possible? I think not....the only place it makes sense is a dream. Another very slight clue is when he's told to wake up by his father (played by Michael Caine).
I also believe another clue was when he waits until the end of the film to spin his totem. The first thing Cobb does when he first awakens a dream is spin the totem to see if it's reality or a dream. Why would he wait at all to spin the totem after coming out of a stay in limbo, which could've lasted god knows how long? He doesn't question anything and doesn't spin....but he finally spins it when he's back home and sees his kids--which is the last clue I'll give. The kids are in the same exact clothes in the same positions the entire movie, even at the end. This is how his mind perceives them.....in that state, in those clothes, in that position....and that's how it's going to stay.
It's in obvious sight....you just need to pay attention.
Both of these movies had one thing that a lot of Hollywood movies seem to be missing nowadays: great storytelling. I strongly recommend seeing both of these--you WILL NOT be disappointed.
For those interested, these are the movies I want to see in the coming months (in no particular order):
The Other Guys, Dinner for Schmucks, The Expendables, Scott Pilgrim vs. the World, Harry Potter and the Deathly Hallows, The Social Network, The Green Hornet


